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The Cherry Tree

Three generations, three collapses of order, and one tree planted by a dying man. From the loess plateau of northwest China — a family history in which everything is lost twice, and returns once.

The Cherry Tree

Every family keeps one object by which all the rest is measured. In this family it is a tree — a sour cherry in a courtyard in Xihaigu, on the loess plateau of northwest China, planted by a dying man in the year his father left the world the way lamps go out: not by violence, but by arriving.

The grandfather was called Chunhe, and he was born into fire. In the third year of Tongzhi — he was eight — his father dragged him from the courtyard into the fortified compound: rammed-earth walls three fathoms high, watchtowers at the corners, a gate of elm sheathed in iron. Through the crack of that gate the boy watched riders fill the street, white cloth wound about their heads, and the dust of their horses hanging in the air long after the hoofbeats. The fortress did not outlast the night. On the fourth morning the unseasoned wall gave way at the southwest corner. His father held a hand over the boy's mouth in a hiding cellar, hour upon hour, until the footsteps overhead grew bored of heaven and earth.

He lived. He grew into a military scholar — the provincial examination, nine arrows from horseback, every one astray, but the horse never stopped, and the examiner, before the target was even called, marked him passed. History is made of such mercies.

Three times the order of the world collapsed around him: the rebellion of his boyhood; the Hehuang war of his fortieth year, when he lowered his sword mid-practice and let its point dig a small hole in the earth; and the year the armies of the empire marched east to fight the foreigners, passing his village from dawn to dusk like a river that had left its bed. He learned one politics: hide the mules, bury the grain, keep the young off the roads.

The poplars that an old general had ordered planted along the post roads stood barely taller than chopsticks in those years. Nobody believed they would live.

His son Qiuming became a policeman, and served thirty years. In 1920 the earth itself rose against them — the great Haichuan earthquake. The table moved; he thought himself dizzy. It moved again. Twenty-three thousand four hundred dead across seven counties. He buried people for three days and carried the soil of it under his fingernails for the rest of his life. When he came home, one wall of the house had fallen, and his father was gone — not known to be dead; simply not found, in the way that the plateau takes things back.

Qiuming folded his uniform the day his warlord fell — slowly, squarely, collar upward, one hand pressed on it — and became a village schoolteacher for twenty-three years. He taught children the character ren: one stroke falling, one stroke holding. In 1935, from the cliff above the Hao River, he watched a column cross the southern hills for a day and a night, and called his son to stand beside him. Do you see it? — I see it. — Remember.

The grandson, Shanqiao, remembered, and it made no difference. He did not study; he did not farm. He gambled. He lost the silver dollars the grandmother kept in red paper beneath the pillow; he lost the dollars the schoolteacher had saved chalk-dust by chalk-dust; he lost the saddle his grandfather had ridden, its leather scarred by practice swords and oiled and scarred again. His mother watched, and said nothing, and then one morning took the iron pot down from the stove, strapped it to her back, pulled her grown son westward by the arm — the way she had once pulled him from a burning county — and settled where there was water to boil.

That last courtyard held no spring, whatever its name said. It held a cherry tree.

Your father planted it, the old woman told him, the year he left. Winter: the bark black, the branches bare, upright like the frame of a man. A neighbor passing by said: it's dead. Shanqiao tapped his pipe on his shoe and did not answer.

In summer, from beneath the root, a single green shoot — thin as an argument, holding up two leaves. He sat on the doorsill and watched it a long time.

Here is what the tree knew that no ledger recorded. Between the grandfather's first fire and the grandson's green shoot, this family passed through the fall of an empire, the birth and death of a republic, an earthquake that erased cities, and the quiet publication of a new state — and preserved, through all of it, exactly three things: a way of standing, a way of teaching, and a way of losing without turning around.

Governments in this country have risen and fallen between one blossom and the next. The tree knew none of it. It knew only the soil, and the stubborn arithmetic of roots: that what is cut away returns from below, thinner, greener, and holding up two leaves where a thousand were lost.